Danny Malboeuf |
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All of the artwork on this page has been created by Danny Malboeuf who is our October Selected Artist Please feel free to email Danny at: kolaboy@gmail.com |
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Danny Malboeuf (born 28-06-1960) is a self-trained artist/illustrator. Working mainly in acrylics, he paints in an allegorical figurative style that combines surrealist, symbolist and pre-Raphaelite sensibilities, often in conjunction with subtle pop-culture references. Malboeuf counts music and literature as his greatest sources of inspiration; specific artistic influences include the painters Arnold Boecklin, John Martin, Ferdinand Khnopff, and Leon Frédéric. While many of his paintings deal with mythological and religious themes, the frequent incorporation of sci-fi and pop-culture imagery from the artist's youth establishes tentative connections with movements such as pop surrealism. He has a strong bias towards painting female subjects, "perhaps because the essence of female is more poetic, and the male more prosaic." Malboeuf's outsider leanings and penchant for dark themes and forbidden mixtures can be disquieting or even controversial. "If you've never contemplated the odd, spellbinding paintings by Charlotte original Danny Malboeuf, now's your chance to catch up. An uneasy feeling mixed with awe at the artist's painterly skill is not unusual with these acrylics. Holy Water and Consecration of St. Joan both deliver a biting admixture of religion and sexuality." Another critique reads "This artist's idiosyncratic slice of surrealism, dark and Gothic, is imbued with a strong dose of high-techno metallica in a strange quasi-religious vein that incites uneasy thoughts. If Edgar Allan Poe and H.P. Lovecraft rose from the dead and co-wrote a series of stories – and Max Ernst collaborated with Dante Gabriel Rossetti using Giger's Alien as a prototype to illustrate these collaborative tales – the result might resemble Malboueuf's series of images. [...] Malboeuf's intensely symbolic paintings do occasionally depict a sunnier mood, [...] but more common is a decaying, bittersweet morbidity – futuristic pre-Rapahelite paintings corrupted by the forces of the darkside. There's a repellent attraction to this work that's compelling." You can see more of Danny Malbouef's work HERE
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